Ronnie Underwood received his
training from Tulsa School of Ballet, Ballet Hispanico
in New York City,
and American Ballet Theatre. He
performed as an apprentice with Tulsa Ballet Theatre and, at 19, joined
Fort Worth/Dallas Ballet (now Texas Ballet Theater). There, Ronnie
performed principal roles in Giselle
and Coppelia,
among other ballets. He performed as
a guest artist with the critically acclaimed South African Ballet Theatre,
dancing the role of Prince Florimund in The Sleeping Beauty. Since joining
OBT, Ronnie has created principal roles in Christopher Stowell’s
Eyes On You,
A Midsummer Night’s Dream and Pas
De Deux Parisien. And in 2007, he added the coveted male
role of Apollo to his repertoire.
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Alison
Roper received her formal dance training from Boston Ballet
School and the School
of Oregon Ballet Theatre. She joined OBT in 1996 and was honored by Dance
Magazine in 2002 as one of “25 to Watch.” In 2006, she added the Swan Lake
dual-role of Odette/Odile to her extensive
repertoire. Alison has had ballets created
on her by Christopher Stowell, Trey McIntyre,
James Kudelka and Nicolo
Fonte, among others. Since 2005, she has
spent her summers performing with Trey McIntyre and in 2007 was chosen to
be an ambassador with fitness-wear company lululemon
athletica.
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Casie Wheeler started dancing
at the age of 3 in Fishers, Indiana and has been a member of Central
Indiana Dance Ensemble since it’s inception in 2000. She has danced principal roles in its
productions of The Nutcracker, Peter Pan and Coppelia. Casie has
participated in the Penrod Arts Festival, has won
countless awards in both regional and national competitions, and has
performed with CIDE around the country at the Regional Dance America
Festivals, where she has received scholarships to dance programs and
intensives. Currently she is enrolled in the Indiana University Bloomington
High School Independent Studies Program and will be a graduating Senior in 2008.
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James Moore is from San Francisco, California.
He trained at San Francisco Ballet School
and the School
of American Ballet.
He joined Pittsburgh Ballet Theatre in 2001 and joined Pacific Northwest
Ballet as a member of the corps de ballet in 2004. James has performed leading roles in the
works of George Balanchine, Val Caniparoli, Sonia
Dawkins, Nacho Duato, William Forsythe, Paul
Gibson, Susan Marshall, Kent
Stowell, Twyla Tharp, Christopher Wheeldon, Marco Goecke, Molissa Fenley,and
originated a leading role in pieces by Victor Quijada
and Dominique Dumais, and Christopher Stowell.
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Kim Torcivia began
her training with the Richmond Ballet in VA, and continued on to graduate
from the School
of Nashville Ballet.
She attended Butler
University, earning a
Bachelor of Science in Arts Administration with a concentration in Dance, then became an apprentice with the Alabama Ballet. Next, Kim apprenticed with the Nashville
Ballet and was moved into the company the following year. Her notable roles include Kiss Pas in
Salvatore Aiello's Clowns and Others, Fairy of Beauty in The
Sleeping Beauty, a lead swan and cygnet in Swan Lake, Dew
Drop Fairy and Arabian in Nutcracker, a featured role in Paul Vasterling's duet You Ain't
Woman enough to take my Man, and Fleur De Lys in Gregory Hancock Dance
Theatre's Hunchback of
Notre Dame.
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Brian
Williamson received his training from Tracy Leadill-Mulquin
in Franklin, IL.
He attended the School
of Nashville Ballet’s
Summer Intensive Program, then became an
apprentice with Nashville Ballet in 2000, joining the company two years
later. Mr. Williamson has been with
Nashville Ballet for four seasons and has performed roles in Swan Lake, Giselle, The
Sleeping Beauty, Nutcracker, Paul Vasterling's
Ballet: Tango, Seasons and Awaiting Redemption,
and Salvatore Aiello's The Rite of Spring as well as Sarah
Slipper's Postcards from the Boys.
He was also featured in Vasterling's Moondog Suite for Loyola Ballet in New Orleans and as the Cavalier in University of Louisville's
production of Nutcracker.
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Brooklyn Mack is from Elgin,
South Carolina, and trained at the Pavlovich
Dance School,
and on full scholarship at the Kirov Academy of Ballet. He became an
apprentice with the Joffrey Ballet of Chicago, and
subsequently joined American Ballet Theatre Studio Company.
Brooklyn is the recipient of the Kirsti Paakenen Encouragement Prize at the International
Ballet Competition in Helsinki Finland in 2005, and the Silver
Medal at the 2006 Jackson International Ballet Competition in Mississippi.
His roles include Oberon in Orlando Ballet’s Midsummer Nights Dream, The Lead in Allegro Brillante, Who Cares?,
Serenade, The Nutcracker, Swan Lake,
and Spartacus. He has been a guest artist in Venezuela, Japan,
and Latvia.
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Drew Jacoby, from Boise, Idaho, trained at the School of American
Ballet, San Francisco Ballet, and Pacific
Northwest Ballet. At 17, Drew joined
Lines Ballet in San Francisco,
where she was made a principal dancer and had works created on her by Alonzo
King. She was a guest star in Sylvie
Guillem’s 2005 Japan tour, performing featured
roles in ballets by Sir Kenneth MacMillan and Alberto Alonso. In 2007, Drew
moved to New York City ,
and has premiered works of Lubovitch and
Dwight Rhoden. She was featured in William Forsythe’s Herman Schmerman, alongside Desmond Richardson, as a guest
artist with Complexions Contemporary Ballet, and will soon be guesting with Morphoses/ The Wheeldon Company.
Drew is the recipient of the Princess Grace Award, and the Level 1
Award from the National Foundation for Advancement in the Arts.
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Janessa Touchet, is
from New Orleans, Louisiana, and trained at the Giacobbe Academy of Dance, Hartford Ballet, Royal
Danish Ballet, and Pacific Northwest Ballet. From 1989 to 2000, Janessa
danced with the Delta Festival Ballet before joining Cincinnati
Ballet. In 2000, she won First Place in
the New Orleans Overture to the Cultural Season and in the National
Foundation for Advancement in the Arts.
Ms. Touchet was also a semi-finalist in
2002 and a finalist in 2006 at the International Ballet Competition held in
Jackson, Mississippi. During her career at Cincinnati Ballet,
she has enjoyed dancing the roles of Marie in The Nutcracker, Rubies
pas de deux in Jewels, Aurora in Sleeping Beauty, Odile/Odette
in Swan Lake, and Jorma Elo’s, Plan to B.
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Allison Healy received her training from Gwinnett
Ballet Theatre, the Tupelo Academy of Dance, and Butler University
where she will return as a senior working to earn her BFA in dance
performance. She has performed lead
roles such as Swanhilda in Coppelia,
Snow White, and Snow Queen in The Nutcracker. She has studied and performed in Poland
as part of a summer study program, and has attended other summer programs
including Alonzo King’s LINES Ballet and Wes Chapman’s Alabama Ballet.
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Katie Lupke received her training at Jordan Academy of Dance,with Larry Attaway, Laura Hedges-Byram, Nataly North-Lowder, Roberta
Wong, Jane Hachiya-Weiner, Derek Reid, and
Michelle Merrell, and has performed at the Penrod
Arts Fair as part of the Jordan Dance Ensemble. Katie has also
studied with David Hochoy of Dance Kaleidoscope and
appeared as a guest dancer. This past January she was the
winner of the Prelude Fine Arts Competition in Dance. Attending summer intensives with the
Cincinnati Ballet, The Rock School, and Jordan Academy,
she has worked with choreographers such as Daniel R. Simmons,
Christopher Flemming, and Petrus Bosman.
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Leslie Dodge is a native of Indianapolis and has
studied many forms of dance at Curtain Call Dance Academy and Performer’s
Edge. At 16, she was featured as
Sugar Plum Fairy in Gregory Hancock Dance Theatre’s student production of The Nutcracker. As an apprentice to the company, she
appeared in Pygmalion, by Alyona Yakovleva, and as a
GHDT company member, was featured in many productions including Hooray for Bollywood
and Dracula. Leslie currently attends Butler University where she studies Dance
Pedagogy and English. As a member of
Butler Ballet, Leslie has danced roles in The Nutcracker and Coppelia and has also been featured in Idyllwild, an original work by Susan
McGuire.
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Kathryn
Tosh, is from Orlando,
Florida, and trained at the Orlando Ballet School
from age 8. At 14, she became a
trainee with Orlando Ballet where she spent two years under the direction
of Fernando Bujones. She was a
semi-finalist at both the Helsiki and Jackson
International Ballet Competitions.
She has just completed her second season with Orlando Ballet.
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